Interpreting the New York Mayor's Sartorial Statement: The Garment He Wears Reveals Regarding Modern Manhood and a Changing Society.
Coming of age in London during the 2000s, I was always immersed in a world of suits. You saw them on City financiers hurrying through the Square Mile. They were worn by dads in Hyde Park, kicking footballs in the golden light. Even school, a cheap grey suit was our required uniform. Historically, the suit has served as a uniform of gravitas, signaling power and professionalism—qualities I was expected to aspire to to become a "adult". However, before lately, my generation appeared to wear them less and less, and they had all but vanished from my mind.
Subsequently came the incoming New York City mayor, Zohran Mamdani. He was sworn in at a private ceremony dressed in a sober black overcoat, pristine white shirt, and a distinctive silk tie. Riding high by an innovative campaign, he captured the world's imagination unlike any recent contender for city hall. But whether he was cheering in a music venue or attending a film premiere, one thing was largely constant: he was almost always in a suit. Loosely tailored, modern with unstructured lines, yet traditional, his is a quintessentially middle-class millennial suit—well, as typical as it can be for a cohort that seldom chooses to wear one.
"This garment is in this weird place," notes men's fashion writer Derek Guy. "It's been dying a slow death since the end of the Second World War," with the significant drop arriving in the 1990s alongside "the advent of business casual."
"It's basically only worn in the most formal settings: weddings, funerals, to some extent, court appearances," Guy explains. "It's sort of like the kimono in Japan," in that it "fundamentally represents a tradition that has long retreated from everyday use." Many politicians "wear a suit to say: 'I am a politician, you can trust me. You should vote for me. I have legitimacy.'" But while the suit has traditionally conveyed this, today it enacts authority in the hope of winning public confidence. As Guy elaborates: "Since we're also living in a liberal democracy, politicians want to seem relatable, because they're trying to get your votes." To a large extent, a suit is just a nuanced form of performance, in that it performs masculinity, authority and even proximity to power.
This analysis stayed with me. On the rare occasions I require a suit—for a ceremony or black-tie event—I retrieve the one I bought from a Japanese department store several years ago. When I first selected it, it made me feel refined and high-end, but its tailored fit now feels passé. I imagine this sensation will be all too familiar for many of us in the global community whose parents originate in other places, particularly developing countries.
It's no surprise, the working man's suit has lost fashion. Like a pair of jeans, a suit's silhouette goes through cycles; a particular cut can therefore define an era—and feel rapidly outdated. Consider the present: more relaxed suits, reminiscent of a famous cinematic Armani in *American Gigolo*, might be trendy, but given the price, it can feel like a considerable investment for something destined to be out of fashion within five years. Yet the appeal, at least in some quarters, persists: recently, department stores report tailoring sales rising more than 20% as customers "move away from the suit being everyday wear towards an desire to invest in something special."
The Symbolism of a Accessible Suit
Mamdani's preferred suit is from Suitsupply, a Dutch label that sells in a moderate price bracket. "Mamdani is very much a product of his background," says Guy. "In his thirties, he's neither poor nor extremely wealthy." Therefore, his moderately-priced suit will appeal to the group most inclined to support him: people in their thirties and forties, university-educated earning professional incomes, often frustrated by the cost of housing. It's exactly the kind of suit they might wear themselves. Affordable but not lavish, Mamdani's suits arguably align with his proposed policies—which include a capping rents, constructing affordable homes, and free public buses.
"It's impossible to imagine a former president wearing this brand; he's a Brioni person," says Guy. "As an immensely wealthy and grew up in that New York real-estate world. A status symbol fits naturally with that tycoon class, just as more accessible brands fit naturally with Mamdani's constituency."
The history of suits in politics is long and storied: from a well-known leader's "controversial" tan suit to other national figures and their suspiciously polished, custom-fit sheen. As one British politician learned, the suit doesn't just dress the politician; it has the power to characterize them.
Performance of Normality and A Shield
Maybe the point is what one scholar calls the "enactment of banality", invoking the suit's historical role as a standard attire of political power. Mamdani's specific selection taps into a deliberate modesty, not too casual nor too flashy—"respectability politics" in an unobtrusive suit—to help him connect with as many voters as possible. But, some think Mamdani would be aware of the suit's historical and imperial legacy: "The suit isn't apolitical; historians have long noted that its modern roots lie in imperial administration." Some also view it as a form of protective armor: "I think if you're from a minority background, you aren't going to get taken as seriously in these traditional institutions." The suit becomes a way of asserting legitimacy, particularly to those who might doubt it.
This kind of sartorial "code-switching" is hardly a new phenomenon. Indeed historical leaders once donned three-piece suits during their formative years. Currently, other world leaders have started exchanging their usual military wear for a black suit, albeit one without the tie.
"Throughout the fabric of Mamdani's public persona, the tension between insider and outsider is visible."
The attire Mamdani selects is highly symbolic. "Being the son of immigrants of South Asian heritage and a democratic socialist, he is under scrutiny to conform to what many American voters look for as a marker of leadership," says one expert, while simultaneously needing to walk a tightrope by "not looking like an elitist betraying his non-mainstream roots and values."
Yet there is an acute awareness of the different rules applied to who wears suits and what is interpreted from it. "This could stem in part from Mamdani being a younger leader, skilled to assume different personas to fit the situation, but it may also be part of his diverse background, where code-switching between languages, traditions and attire is typical," it is said. "White males can go unnoticed," but when women and ethnic minorities "seek to gain the power that suits represent," they must carefully navigate the codes associated with them.
Throughout the presentation of Mamdani's official image, the tension between belonging and displacement, insider and outsider, is evident. I know well the discomfort of trying to fit into something not designed with me in mind, be it an inherited tradition, the society I was born into, or even a suit. What Mamdani's sartorial choices make evident, however, is that in politics, appearance is never without meaning.